![]() So the on-board mic should serve well enough.Ĭonsider voice-over narration, where Dad or Mom comment on the action. An external recorder should suffice, and there will be no particular urgency to synchronize the audio and video precisely.īut, since he is so young, most of your shots are likely to be taken quite close to the kid anyway. Given that your "talent" is only 18 months old, his utterances will consist mainly of babble for another year or so. To find the appropriate waveform moment - if you have not clapped your hands or suchlike - find a point when someone speaks with letters beginning B or P as these open the mouth straight away. use the camera's waveform just for syncing then discard it. It is simple to synchronise a single video and audio source in editing just by using the waveforms n.b. Wired to longer distances can be awkward to handle though. A wired lav mic works well with a Zoom H1n when the lav is clipped to clothing, even a cheap lav mic is good as it is so close. You can easily sit it on a mini-tripod or use a clamp or a gorillapod nearer to the source of the audio. They are compact enough to fit into jacket shirt and trouser pockets. It may be more affordable in your location than the other Rodes as well. That works surprisingly well and is very small so may be a good choice for your cam. The shotgun mic must not be so long as to intrude on a wide angle lens but you could put it on a cage to get it back a bit I do that occasionally with my Rode NTG-2 as it is very long due to having the facility to pop in an AA battery to avoid the need for power from a cam. Switch on its High Pass filter in windy conditions if available or learn how to do that in editing. And have a foam and a dead kitten to minimise wind if outside. I have a couple of the Rode ones and they work great. It needs to be of a shotgun configuration such as a Rode Videomic Pro clone available in your location. It will be just about acceptable though for general Youtube type use even to around your 5 metres. That having been said, if it was me shooting on my own I'd probably use a lav mic plugged into an audio recorder in the subject's pocket.Īn on-camera external mic will never be great unless the speaker is no more than around 2 metres away. Whatever solution gets the mic closest to the subject at a cost that's acceptable to you and with no more hassle than you're willing to put up with is probably the right solution for you. Or you can do it using a portable audio recorder, either using its built-in mic or using a wired mic plugged into the recorder. You can do this by recording with the camera using a wired mic and a long cord, or a wireless mic. In other words, the subject is loud enough that the recorder doesn't have to boost the volume of all the junk you don't want. That gives you the best signal-to-noise ratio between what you want to record and what you don't want. Nothing beats getting the microphone as close to the subject as possible. The problem is that it can't distinguish what you want and what's just ambient noise or wind. When the microphone is far from the subject, the automatic gain in the camera's audio circuit will boost the volume until it's at an acceptable level. Would it be better to invest instead into an external audio recorder, like the Olympus LS-P4, Zoom H1N, Tascam. However, I am not sure this will bring the most "bang for the buck". I'm open to other suggestions, ideally with an earphone output because the E-M5 unfortunately comes without one. I was looking at something like the Deity V-Mid D3 Pro or the Sennheiser MKE 400 because Rode is overpriced where I am (China). I now plan to updgrade to a higher quality option (up to 200 EUR). My conclusion is that the thing is defective. I have also excluded any possible noise pollution from pressing buttons, AF or IBIS motors. I have played with different options (preamp on the microphone set to 0, +10, -10, low pass filter on / off, different options inside the camera). I haven't been able to trace back the origin of this noise. This noise is also there when I use the microphone on my Nikon DSLR, so that any issue on my E-M5 can be ruled out. ![]() I'm happy with the video quality, but the sound of the built-in microphone is nothing to rave about.Ī while ago I bought a cheap Pixel MC-650 microphone and while the sound quality is surprisingly good, in about 1/3 of my videos I have a low frequency " wind-like" noise, no matter if I'm outside or not. I have an Olympus EM5-Mark III which I now quite frequently use to produce small videos of my son where he is 1 to 5 m away from the camera. I am really a beginner in this field so please bear with me
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